The energy and spontaneous prowess of Ustaad Amjad ali khan ji provided an unstoppable flow of resonance as he started Rageshwari. The adachowtaaland teental gats enthralled the audience owing to the unusual treatment of the keynotes as well as the balanced combination of pace and fluidity. Shubhankar Banerjee’s tabla worked as a positive catalyst to the performance and the perfect accompaniment of his able hands provoked the maestro for more. The stream of music, at least that evening, ended with a dhun which had the essence of Piloo, Zila Kafi and the Ustaad’s favourite Tagore tune, ” Ekla chalo re“, but the hidden flow of music continued with the promise of return.
Source : https://www.telegraphindia.com/opinion/eternal-charm-207378